The neat thing about not going to film school is get to figure things out for yourself and they seem exciting. Like associative editing, I think that's what it's called. There are all these cool ways to use a cut to tell a story without saying much. For example there was this cut in TA91 that hasn't been working for a long time, going from Gillian in one room to Molly in another room. It always just looked weird and I wasn't sure why. Last night I rearranged it so that Gillian is doing something different at the cut point which results in her having a very similar expression as Molly when we cut to her. Nothing really changes, but the transition feels righter, and more importantly, by the expression, a connection between Molly and Gillian is felt (in theory).
...Anyway that's probably filmmaking 101 to a lot of people but it's still cool to me.

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